The Van Cliburn Foundation is aiming for a new generation of pianists – kids. This weekend brings the Cliburn’s first international competition for 13 to 17 year olds. The main Cliburn, held every 4 years, has helped launch careers, and an amateur contest has enlivened off-years. Some wonder whether the newest effort is putting too much pressure on musicians too soon.
When you’re good at 25 - which is about the age of most of the main Cliburn competitors - you were probably already amazing at 15, says Jacques Marquis, head of the Cliburn foundation. That’s because he says, you began playing at 5 or even 4.
“If we can kind of scout the field when they’re young,” Marquis says, “we can at least first offer them a platform to measure their skills and to learn more about the piano world. And we can also maybe interest them in the Cliburn brand.”
But does the Cliburn really need to worry about marketing, asks pianist and longtime music writer Stuart Isacoff?
“If someone is going to have their eyes on competitions,” Isacoff argues, “they’re certainly going to think of the Cliburn maybe first, because it’s so big, it’s so important, the rewards are so great.”
For example, the gold medalist from the 2013 Cliburn, Vadym Kholodenko, won three years of international concert bookings, professional management, and $50,000.
Because of these rewards, pressure on main Cliburn competitors is intense. Isacoff worries gifted kids in the new Junior contest may be too young to handle that kind of stress.
“There are some very sensitive kids who may have great talents and should be carefully nurtured and not put under too much pressure too soon,” Isacoff says.
That’s why the Cliburn’s Marquis says the week’s schedule intentionally includes some low stress time, like tomorrow’s welcoming get-together dinner at the Fort Worth Museum of Science and History. The kids will live the week together in TCU dorms, then unwind next weekend at a closing party at the Fort Worth Zoo. In between, Marquis thinks these kids will handle the competitive pressures.
“They have this unique free mind about playing the piano. They want to share music with others and I think they play without fear,” Marquis says. “You get the fear at 17, 18, when you realize you’re almost there. At 15 you go and say hey - enjoy.”
Youlan Ji, a 15 year-old from Bejing, has been playing for about half her life. Now a pre-college student at Juilliard in New York, she’s no fan of competitions. And she feels the pressure. But she’s also a Cliburn Jr. competitor.
“For me it’s more a learning experience because every time I go to a big competition I don’t just expect to win anything, or to do anything big,” Ji says. “But all my peers, I learn so much from them, and I think that’s why we compete.”
She’s already in Fort Worth for a piano festival and master classes along with 17 year-old Adam Balogh, from Hungary. They’re competitors, but they’re also pals. Youlan gives Adam a high-five when she learns they’ve both lived mostly on their own, to study away from home, since they were 14.
“Competitions for me are not something where I have my enemies,” Adam Balogh says. “I think what she said before, that we all prepare and we all do our best. I think it shouldn’t be even called competing. We’re just here to get experiences.”
And publicity. Adam wants to make a life in music but says he still has lots to learn, though that hasn’t kept him from posting a music video on YouTube.
Seminars during the Van Cluburn Junior will provide some lessons for these young pianists. In between competition performances, there’ll be sessions with top players on everything from launching new careers to selecting the right piano and repertoire.
Lessons that might come in handy if they choose to enter the main Cliburn competition when they’re older.